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CARTOON ENTERTAINMENT ICON – Kylie Minogue

January 30th, 2012

POPULAR touring performer and the biggest selling solo artist in Australian chart history, singer, recording artist, songwriter and actress who shot to fame portraying tomboy mechanic “Charlene” on popular TV soap Neighbours winning her multiple Logie Awards, her first single LOCO-MOTION spent seven weeks at number one on the Australian charts and was the highest selling single of the 1980′s, spectacularly performed at the closing ceremony of 2000 Sydney Olympics, sensationally headlined the 1994 Sydney gay & Lesbian Mardi Gras, is a celebrated breast cancer survivor, winner of multiple ARIA & Brit Awards, winner of the 2004 Best Dance Recording Grammy Award for COME INTO MY WORLD, received an OBE at Buckingham Palace in 2008 and in 2011 was inducted into the ARIA Hall of Fame by Australian Prime Minister Julia Gillard… KYLIE MINOGUE!

FUN FACTS: Kylie is regarded as a gay icon, which she encourages with comments such as “I am not a traditional gay icon. There’s been no tragedy in my life, only tragic outfits…”

KYLIE MINOGUE Limited Edition Print available at TOONARAMA – The Exhibition @ ArtBoy Gallery January 12 – 29

www.BrettWillisCartoons.com

The Goddess Of Beauty, Fertility & Sexual Love. Kylie Minogue.

July 26th, 2010

Aphrodite; The Goddess of beauty, fertility & sexual love. Now could that dictionary meaning describe Kylie Minogue any better? I think not.

Aphrodite is the newest musical compilation of festivity and an injection of the Kylie Minogue we all know and love.

Now picture this. European Summer 2010. Mykonos. Beach parties. White flowing linen outfits. Your best friends. Mojitos. White walls and floors. Blue doors and windows. Cushioned day beds with white flowing silk in the sea breeze. Euro trunks. Tanned skin. Early afternoon, leading into the night where the party will begin. Mediterranean sexuality. This is Kylie’s perfect setting for Aphrodite.

When I hear the sounds of this UK-crap-pop X Euro-trashy-pop, I’m instantly taken back to the fruitiest times of my life in a small island called Mykonos. I don’t know if it’s the album cover, the name of the album, or the way the music makes me feel, but I sure as hell like the feeling.

I’ve never really been a fan of Kylie Minogue, but I have now found a new appreciation for the ‘Princess of Pop”. Yes I will admit, I have most of her albums from the past 10-12 years and have loved them, till it gets to about 2 months of listening to them, then I can never hear it again. They almost make me cringe.

At this stage, I’ve owned the album now for nearly 2 weeks and I still really like it. It hasn’t driven me mad yet. I enjoy each and every song as I go to work, for a run, driving in the car or just chilling at home as it has the ability to transform me to a place I once enjoyed in the peak of Summer – Mykonos. It also makes me forget the depression that comes along with a Sydney Winter.

Energetic songs, fun and boppy lyrics and tunes that you remember long after you’ve turned it off. But it is missing something. It is missing the cutting edge style and catchiness of everything that was on her 2001 multi-award winning album Fever. Aphrodite is seriously lacking individuality. To be honest, it’s like listening to the SugaBabes, but mixing it with a little electronica and then throwing in a few Anthemnic (yes that’s my new word) choruses to get the crowds pumping in dingy discotheques.

The first track released from the album is “All The Lovers”. A song that suprisingly brings out memories of past love and emotions once buried. The words and the video are a statement of global acceptance on a number of topics including sexuality. But this could also be for the sake of lifting her profile in the gay audience. Kylie’s fans are predominately gay, so the film clip really shows another side of life through music and profile.

The next track due for release is “Can’t Beat That Feeling”. A little bit of fun, again with a catchy tune which I guarantee you will sing in your head once it’s over. But it’s just so old Kylie. Nothing ground-breaking and unique.

If there is one song that is freaky in a good way, it is the Goddess-esque, Tina Cousins style “Closer”. Probably the standout track on the album for me, it’s got a little bit of sexuality and individuality to it which makes you want to dance inappropriately.

“Too Much”, one of the gayest songs on the album (could be a toss-up with “Cupid Boy”?) has an airy and bouncy feeling to it. It’s a fun song, but again I’m not sure if it will stand the test of time and trends. It will be here and gone very quickly.

One of the songs, and I have to admit it could be my favourite, “Cupid Boy”. It is bringing forward a little bit of Lady Gaga‘s track “Monster” with the electronic/robotic voice “he ate my heart, he a-a-ate my heart”. The most ‘underground’ sounding song on the album, with heavy instrumental and many variations in vocal capabilities really show many of Kylie’s abilities.

There is one song that I can’t stand, “Better Than Today”, it’s a little bit childish and immature. Almost a silly addition. I am hoping it will never be released.

Ok, so after reading this, you have got the impression that I don’t like the album… with a few contradictions thrown in there. But believe it or not, I REALLY like this album. She looks absolutely stunning, her elegance, class and charisma is still as wonderful as ever.

I would totally give it 7 our of 10. Go on an buy it… You can’t go wrong, but you’ll know what I mean when you hear it for yourself.